http://www.farrellandparkin.com/

ROSE FARRELL
Born 1949 Brisbane, Queensland, Australia


EDUCATION

1986 Diploma of Photography [Fine Art], Photography Studies College, Melbourne, Victoria
1971 Bachelor of Applied Science, Queensland Institute of Technology, Brisbane, Queensland


GEORGE PARKIN
Born 1949 Corowa, N.S.W., Australia


EDUCATION

1983 Bachelor of Arts [Graphic Design], Swinburne Institute of Technology, Melbourne, Victoria


SOLO EXHIBITIONS

2010 Mangamorphosis, Arc One Gallery, Melbourne
2009 Double Happiness: The Chinese Self Portraits of Farrell and Parkin, Boutwell Draper Gallery, Sydney
2008 Chinese Self Portraits, Project Space, M.Y. Art Prospects, New York, U.S.A.
Restoration, M.Y. Art Prospects, New York, U.S.A.
Restoration, ARC One Gallery, Melbourne, Victoria.
Restoration, Boutwell Draper Gallery, Sydney, N.S.W.
2007 The Museum of Unnatural History, Apartment, Melbourne, Victoria
2006 Farrell and Parkin, Queensland Centre for Photography, Brisbane, Queensland
Farrell and Parkin, Boutwell Draper Gallery, Sydney, N.S.W.
2005 Random Acts, Arc One Gallery, Melbourne, Victoria
2004 The Artist’s Surgery: A Constructed Reality, Arc One Gallery, Melbourne, Victoria
2003 Traces of the Flood, Paved Arts + New Media, Saskatoon, Canada
Gauze, 31 Grand, Brooklyn, New York, U.S.A.
2000 Virtue, M.Y. Art Prospects, [video, in collaboration with Wakako Ishida], New York,
U.S.A. November 2, 2000
Traces of the Flood, M.Y. Art Prospects, New York, U.S.A.
Heel of Achilles, [video], M.Y. Art Prospects, New York, U.S.A. October 19, 2000
La Photographie de Farrell & Parkin, Centre d’Exposition de Val-d’Or, Val-d’Or, Quebec,
Canada
1999 The New York Photography Fair, The Puck Building, New York, U.S.A.
Terra Firma 1616, Byron Mapp Gallery, Sydney.
1998 Pulleys, Dislocations and Counterweights, Byron Mapp Gallery, Sydney
1997 Throne of Blood 1990 & Throne of Blood Digital Project 1997, Michael Wardell Gallery, Melbourne, Victoria
Throne of Blood Digital Internet Project, Internet exhibition, October 16 - November
8, 1997
Night-Sea Crossing, Open Eye Gallery, Liverpool, England
The Thick Walled Room, Byron Mapp Gallery, Sydney, N.S.W.
1996 The Thick Walled Room, 1996 Melbourne International Festival, The Old Treasury
Building Vaults, Melbourne, Victoria
Black Room, Paço dos Duques de Bragança, 10th Encontros da Imagem, Guimarães, Portugal
Grey Garden, Black Room and Storms, Rain & Darkness, Die Konstruktion des Raumes,
exhibition #2, Brotfabrik Galerie, Berlin, Germany
Black Room, Byron Mapp Gallery, Sydney, N.S.W.
Farrell & Parkin: Black Room, Testwall Window Installation, TZ’ART & CO. Gallery, New York, U.S.A.
1995-96 Black Room, White Columns, New York, U.S.A.
1995 Polaroids 1994/95: Grey Garden • Storms, Rain & Darkness, Michael Wardell Gallery,
Melbourne, Victoria
Black Room, Fotofeis ‘95, The Scottish International Festival of Photography, Seagate Gallery, Dundee, Scotland
Black Room: Photographs by Farrell and Parkin, National Gallery of Victoria, Melbourne, Victoria
1994 A Passion for Maladies: Blue Room, Michael Wardell Gallery, Melbourne, Victoria
Terra Firma 1616, Gallery Rhumbarallas, Melbourne, Victoria
Artwork of the Month, Queensland Art Gallery, Brisbane, Queensland, May, 1994
1993 A Passion for Maladies, Dazibao, Centre de Photographies Actuelles, Montreal, Canada
1992 A Passion for Maladies, Artspace, Sydney, N.S.W.
A Passion for Maladies, Girgis & Klym Gallery, Melbourne, Victoria
Worthy Habits and Mantles, Arthouse, Launceston, Tasmania
Throne of Blood, Girgis & Klym Gallery, Melbourne, Victoria
A Passion for Maladies: The Process, Post West Gallery, Adelaide, South Australia
1991 Worthy Habits and Mantles, Girgis & Klym Gallery, Melbourne, Victoria.
1990 Worthy Habits and Mantles, Central Theatres Gallery, Griffith University, Brisbane,
Queensland
1989 Miserable Pleasures and Glorious Mysteries, Girgis & Klym Gallery, Melbourne, Victoria
Repentance, The Australian Centre for Photography, Sydney, N.S.W.
Repentance, Contemporary Art Centre of South Australia, Adelaide, South Australia
Repentance, City of Hamilton Art Gallery, Hamilton, Victoria.
Red Squares and Repentance, Horsham Regional Art Gallery, Horsham, Victoria
1988 Red Squares, Ben Grady Gallery, Canberra, A.C.T.
Repentance and Film Noir, Girgis & Klym Gallery, Melbourne, Victoria.
1987 Red Squares, The Australian Centre for Photography, Sydney, N.S.W.
Red Squares, Rhumbarallas Gallery, Melbourne, Victoria
Film Noir, Gallery at St Martins, Melbourne, Victoria


GROUP EXHIBITIONS

2010 Brave New World, Queensland Centre for Photography, Brisbane, QLD
2009 Art with Paper, Boutwell Draper Gallery, Sydney, N.S.W.
2009 Darebin La Trobe Art Prize, Bundoora Homestead Art Centre, Melbourne, Victoria
New Permanent Collection exhibition, Ian Potter Centre: NGV Australia, Melbourne, Victoria
I Have Not Been Myself Lately..., Queensland College of Art Gallery, South Bank, Brisbane
Permanent Collection Display, Gallery 14, Ian Potter Centre: NGV Australia, Melbourne, Victoria
New Skin - Contemporary Queensland Photo-media, Queensland Centre for Photography, Brisbane, Queensland
Photo La 2009, Queensland Centre for Photography, Santa Monica Airport’s Barker
Hangar, Santa Monica, California, U.S.A.
2008-09 50X50, Arc One Gallery, Melbourne, Victoria
2008 À la croisée de l’art et de la médecine/At the Crossroads of Art and Medicine,
Foreman Art Gallery of Bishop’s University, Sherbrooke, Quebec, Canada
MacarthurCook Art Award 2008, Fortyfivedownstairs Gallery, Melbourne, Victoria
From Mao to Now, The Newington Armory Gallery, Sydney, N.S.W.
Multiplex, Boutwell Draper Gallery, Sydney, N.S.W.
2008 National Works on Paper, Mornington Peninsula Regional Gallery, Mornington, Victoria
Memoirs: Selected Photographs from the Daryl Hewson Collection, Queensland
Festival of Photography, State Library of Queensland, Southbank, Brisbane, Queensland
Selected Photographs from the Daryl Hewson Collection, QUT Art Museum, Brisbane, Queensland
Who Let the Dogs Out: The Dog in Contemporary Australian Art, Lake Macquarie City Art
Gallery, Booragul, N.S.W. and touring to Hazelhurst Regional Gallery & Arts Centre, Gymea, N.S.W.
2007-08 Process-Journey, Red Gate Gallery, Dongbianmen Watchtower, Beijing, China and
Australian Embassy Beijing touring to Eastlink Gallery, Shanghai, and ‘Art in Hong
Kong’ Sino Space, One Capital Place, Hong Kong, China
Eye to “i” - The Self in Recent Art, Ballarat Fine Art Gallery. Ballarat, Victoria, touring to
Warrnambool Art Gallery, Warrnambool, Victoria and Hamilton Art Gallery, Hamilton, Victoria
Role Play: Portrait Photography, National Gallery of Victoria International, Melbourne, Victoria
2007 Arc One Gallery Summer Exhibition, Arc One Gallery, Melbourne, Victoria
2007 William and Winifred Bowness Photography Prize, Monash Gallery of Art, Wheelers Hill, Victoria
Fremantle Print Award 2007, Fremantle Arts Centre, Fremantle, Western Australia
2007 Albury National Photography Prize, Albury Regional Art Gallery. Albury, N.S.W.
MCA Collection: New Acquisitions 2007, Museum of Contemporary Art, Sydney, N.S.W.
Location, Location, Location, Boutwell Draper Gallery, Sydney, N.S.W.
Group Show, Boutwell Draper Gallery, Sydney, N.S.W.
2006-07 Tidal: City of Devonport Art Award, Devonport City Gallery, Devonport, Tasmania
2006 Melbourne Art Fair 2006, Boutwell Draper Gallery, Royal Exhibition Buildings, Melbourne, Victoria
The Australian Photographic Portrait Prize 2006, Art Gallery of New South Wales, Sydney, N.S.W.
2006 Fundraising Auction Preview, Monash Gallery of Art, Wheelers Hill, Victoria
Nightfall, Albury Regional Art Gallery, Albury, N.S.W.
2005-06 Paper Moon, Devonport Regional Gallery, Devonport, Tasmania; Toowoomba Regional Gallery, Toowoomba, Queensland;Orange Regional Gallery, Orange, NSW; Maroondah Art Gallery, Ringwood, Victoria; Gippsland Art Gallery, Sale, Victoria and Plimsoll Gallery, Hobart, Tasmania
2005 Points of View: Australian Photography 1985-95, Art Gallery of New South Wales, Sydney, N.S.W.
Beyond Real PART 2: Making a Scene, Australian Centre for Photography, Paddington,
N.S.W.
Winter at Arc, Arc One Gallery, Melbourne, Victoria
2005 Josephine Ulrick & Win Schubert Photography Award, Gold Coast City Art Gallery, Surfers Paradise, Queensland
The Australian Photographic Portrait Prize 2005, Art Gallery of New South Wales, Sydney, N.S.W.
Recent Acquisitions: Photographs from the MGA Collection, Monash Gallery of Art,
Wheelers Hill, Melbourne, Victoria
2005 Fundraising Auction Preview, Monash Gallery of Art, Wheelers Hill, Victoria
2004-05 Heavenly Creatures, Heide Museum of Modern Art, Bulleen, Victoria
2004 Arc Summer Exhibition 04, Arc One Gallery, Melbourne, Victoria
Penumbra: Images of dark and light, McClelland Gallery, Langwarrin, Victoria
Melbourne Art Fair 2004, Arc One Gallery, Exhibition Buildings, Melbourne, Victoria
The Stray Show, M.Y. Art Prospects Gallery, Chicago, Illinois, U.S.A.
Proof, ARC One Gallery, Melbourne, Victoria
The Australian Photographic Portrait Prize 2004, Art Gallery of New South Wales, Sydney, N.S.W.
National Gallery of Victoria Youth Access Program Exhibition, NGV Australia, Melbourne,
Victoria
2003-04 Photographica Australis, [Asia Tour], National Gallery of Thailand, Bangkok,
Thailand; Singapore Art Museum, Singapore, 11th Asian Art Biennale, Shilpakala Academy, Dhaka, Bangladesh and Taipei Fine Arts Museum, Taipei, Taiwan. R.O.C.
Prospect Portrait Prize, Prospect Gallery, Prospect, South Australia
2003 2003 Summer Exhibition, ARC One Gallery, Melbourne, Victoria
The Affordable Art Fair, Pier 92, New York, U.S.A.
2nd Sight: Australian Photography in the National Gallery of Victoria, NGV Australia, Melbourne, Victoria
See here now: Vizard Foundation Art Collection of the 1990s, The Ian Potter Museum of
Art, Melbourne, Victoria
Science Fictions, Singapore Art Museum, Singapore
The Artist Abroad, Australian Centre for Photography, Sydney, N.S.W.
The Australian Photographic Portrait Prize 2003, Art Gallery of New South Wales, Sydney, N.S.W.
2002-03 Meridian: Focus on Contemporary Australian Art, Museum of Contemporary Art,
Sydney, N.S.W.
2002 Melbourne Art Fair 2002, Royal Exhibition Buildings, Melbourne, Victoria
Other Views, QCA Gallery, Griffith University Queensland College of Art, Brisbane, Queensland
Photographica Australis, Sala de Exposiciones del Canal de Isabel II, Madrid, Spain
2002 City of Hobart Art Prize, Tasmanian Museum and Art Gallery, Hobart, Tasmania
2001-2003 Phiction: lies, illusion and the phantasm in photography, Horsham Regional Art
Gallery, Horsham, Victoria & touring to Mildura Arts Centre, Mildura, Victoria; Phyllis
Palmer Gallery, Bendigo, Victoria; Old Treasury Museum, Melbourne, Victoria;
Hamilton Art Gallery, Hamilton, Victoria; Warrnambool Art Gallery, Warrnambool, Victoria;
Exhibition Gallery, Wangaratta, Victoria; La Trobe University Gallery, Bundoora, Victoria; Geelong Art Gallery, Geelong, Victoria; Gippsland Art Gallery, Sale, Victoria and Castlemaine Art Gallery, Castlemaine, Victoria
2001 Shell Fremantle Print Award, Fremantle Arts Centre, Fremantle, Western Australia
The 31st Alice Prize, The Araluen Centre, Alice Springs, The Northern Territory
The Hutchins Art Prize 2001, The Long Gallery, Hobart, Tasmania
Group Show, Byron Mapp Gallery, Sydney, N.S.W.
2000 The Liminal Body, Australian Centre for Photography, Sydney, N.S.W.
Stockholm Art Fair, Stockholm, Sweden
1999-02 We Are Australian, The George Adams Gallery, 1999 Melbourne International Festival, Melbourne, Victoria touring to Volvo Gallery, Sydney, NSW; Adelaide Festival Centre, Adelaide, South Australia; Canberra Museum & Art Gallery, Canberra Multicultural Festival, Canberra, ACT; New England Regional Art Museum, Armadale, NSW; Tasmanian Museum & Art Gallery, Hobart; Albury/Wodonga Regional Art Gallery, Albury, NSW; State Library of Queensland, Brisbane, Queensland; Latrobe Regional Art Gallery, Morwell, Victoria and The Immigration Museum, Melbourne, Victoria
1999 Paris Photo, Le Carrousel du Louvre, Paris, France
4th Birthday Exhibition, Part 1: Australia, Byron Mapp Gallery, Sydney, N.S.W.
Deacons Graham and James / Arts 21 Award, The Ian Potter Museum of Art, Melbourne, Victoria
Face Value, M.Y. Art Prospects, New York, U.S.A.
Points of View, Byron Mapp Gallery, Sydney, N.S.W.
1998 Paris Photo ‘98, Le Carrousel du Louvre, Paris, France
Wall to Wall, National Gallery of Australia, Canberra, A.C.T., Australia
Points of View, Foyer Gallery, Australian Embassy, Paris, France
ACAF6, Sixth Australian Contemporary Art Fair, Royal Exhibition Buildings, Melbourne, Victoria
1997 Images mentales / Photographies trompeuses, Studio Art and Media of the Marché
Bonsecours, Le Mois de la Photo à Montréal, Montréal, Canada
Dérision et Raison, Grande Chapelle, Musée de la Photographie à Charleroi, Charleroi, Belgium
Die Konstruktion des Raumes Archiv, Brotfabrik Galerie, Berlin, Germany
The Vizard foundation Art Collection of the 1990s, Hamilton Art Gallery, Hamilton, Victoria, touring to Geelong Art Gallery, Geelong, Victoria and Bendigo Art Gallery, Bendigo, Victoria
Release: Recent Photo-based Works, Michael Wardell Gallery, Melbourne, Victoria
1996 1996 Gold Coast City Conrad Jupiters Art Prize, Gold Coast City Art Gallery, Surfers
Paradise, Queensland
re collection The Griffith University Art Collection - 25 Years, Brisbane City Gallery,
Brisbane, Queensland
Photography is Dead! Long Live Photography!, Museum of Contemporary Art, Sydney,
N.S.W.
Inaugural Exhibition of Recent Work by Gallery Artists, Michael Wardell Gallery, Melbourne,
Victoria
The Power to Move: Aspects of Australian Photography, Queensland Art Gallery, Brisbane, Queensland
1995-96 Dangerous Liaisons, Plimsoll Gallery, Centre for the Arts, University of Tasmania,
Hobart, Tasmania, touring to University Gallery, Launceston, Tasmania, Waverley City Gallery, Wheelers Hill, Victoria and Sale Regional Gallery, Sale, Victoria
1995 Strate’gens, Canberra School of Art Gallery, The Australian National University, Canberra, A.C.T.
Australian + International Photographs, Byron Mapp Gallery, Sydney, N.S.W.
Subversions, Faculty of Humanities, Griffith Artworks, Griffith University, Nathan, Queensland
5th International Works on Paper Art Fair, Mitchell Galleries, State Library of New
South Wales, Sydney, N.S.W.
Inaugural exhibition, Byron Mapp Gallery, Sydney, N.S.W.
1994-95 Eidetic Experiences, Noosa Regional Gallery, Tewantin, Queensland, touring to Ipswich
Regional Gallery, Ipswich, Q’ld; Brisbane City Hall Art Gallery and Museum, Brisbane, Q’ld;
Rockhampton City Art Gallery, Rockhampton, Q’ld; Perc Tucker Regional Gallery, Townsville, QLD; Gold Coast City Art Gallery, Surfers Paradise, QLD; Lismore Regional Gallery, Lismore, NSW and the New England Regional Art Museum, Armidale, N.S.W.
1994 ACAF4, Fourth Australian Contemporary Art Fair, Royal Exhibition Buildings, Melbourne, Victoria
The Full Spectrum: Colour and Photography in Australia 1860s to 1990s, National Gallery of
Victoria, Melbourne, Victoria
Renaissance and Resistance, The Marble Palace, The Russian Museum, St Petersburg, Russia
54th International Photographic Salon of Japan, The Asahi Shimbun, Tokyo; Osaka;
Nagoya; Sapporo and Fukuoka, Japan
Imaging the Image: What is Photography?, Waverley City Gallery, Melbourne, Victoria
The Kodak Acquisition Show: 10th Anniversary of Kodak (Australasia) P/L Fund, National Gallery of Australia, Canberra, A.C.T.
1993 The Margaret Stewart Endowment: Part 2, National Gallery of Victoria, Melbourne,
Victoria
In Their Own Image: The 1993 Studio Artists Exhibition, P.S.1 Museum,The Institute for
Contemporary Art, New York, U.S.A.
Recent Acquisitions: The City of Waverley Collection, Waverley City Gallery, Wheelers Hill,
Victoria
Immortality, Centre for Contemporary Photography, Melbourne, Victoria.
1992 52nd International Photographic Salon of Japan, The Asahi Shimbun, Tokyo; Osaka; Nagoya; Sapporo and Fukuoka, Japan
Domino 1: Collaborations Between Artists, Ian Potter Gallery, Melbourne University, Melbourne, Victoria
Group Show ‘92, Girgis and Klym Gallery, Melbourne, Victoria
1991-92 A Constructed Reality: Aspects of Contemporary Photography, National Gallery of
Victoria, Melbourne, Victoria
Reference Points: A New Perspective, Queensland Art Gallery, Brisbane, Queensland
1991 New Photography Acquisitions, National Gallery of Victoria, Melbourne, Victoria
Gallery Artists Group Show, Girgis and Klym Gallery, Melbourne, Victoria
1990-02 Twenty Contemporary Australian Photographers: from the Hallmark Cards [Australia]
Photographic Collection, National Gallery of Victoria, Melbourne, Victoria; The Art Gallery
of NSW. Sydney, NSW; touring to the Queensland Art Gallery, Brisbane, Queensland; War
wick Regional Gallery, Warwick, NSW; Newcastle Regional ArtGallery, Newcastle, N.S.W; Orange Regional Art Gallery, Orange, NSW; The Exhibitions Gallery, Wangaratta, Victoria; Waverley City Gallery, Melbourne, Victoria, and Lawrence Wilson Gallery, Perth, Western Australia
1990-91 Fragmentation & Fabrication: Recent Australian Photography, Art Gallery of South
Australia, Adelaide, South Australia
1990 Works on Paper, Girgis & Klym Gallery, Melbourne, Victoria
ACAF2, Second Australian Contemporary Art Fair, Royal Exhibition Buildings, Melbourne, Victoria
Recent Photography Acquisitions, Central Theatres Gallery, Griffith University, Brisbane,
Queensland
Group Show, Girgis & Klym Gallery, Melbourne, Victoria
1989 Photography: Recent Acquisitions, Australian National Gallery, Canberra, A.C.T.
Brunswick to Devonshire, Syme - Dodson Gallery, Sydney, N.S.W.
Meta - Portraits, Blaxland Gallery, Melbourne, Victoria
1988-89 Australian Photography: The 1980’s, Australian National Gallery, Canberra, A.C.T; touring to the National Gallery of Victoria, Melbourne, Victoria; Centre for the Arts Gallery, University of Tasmania, Hobart, Tasmania; Museum of Contemporary Art, Brisbane, Queensland; New England Regional Art Museum, Armidale, N.S.W; Art Gallery of N.S.W., Sydney, N.S.W; The College Gallery, South Australia School of Art, Adelaide, South Australia
1988 Fehl am Platz, Foto Austausch Exhibition, Foto forum Galerie, Bremen, Germany
Excursions into the Postmodern, National Gallery of Victoria, Melbourne, Victoria
Group Show, Girgis & Klym Gallery, Melbourne, Victoria
1987 St Kilda Arts Festival, Linden Gallery, Melbourne, Victoria.
National Photographic Exhibition, Albury Regional Arts Centre, Albury, N.S.W.
Fehl am Platz, Foto Austausch Exhibition, Fotogalerie im Wedding, Berlin, Germany
1986 Exhibition of Photographers, Photography Studies College, Melbourne, Victoria
1985 Thirteen Women Photographers, Victoria 150 Year Celebrations, Photography Studies College, Melbourne, Victoria
1983 Swinburne Graduate Design Exhibition, Mezzanine Foyer Gallery, ANZ Bank Head quarters, Melbourne, Victoria


VIDEO/INSTALLATION

2010 ‘Physiology of Spite’ and ‘Manga Securities’, Mangamorphosis, ARC One Gallery, Melbourne, Victoria
2009 ‘Along the Great Wall’ and ‘Tongue Diagnosis’ (New Version), Double Happiness: The Chinese Self Portraits of Farrell and Parkin, Boutwell Draper Gallery, Sydney
2008 ‘Soul of the Dragon’, Process-Journey, One Capital Place, Hong Kong, China
2007-08 ‘Suddenly the Nighttime has Begun’ and ‘Along the Great Wall’, Farside of the Moon, McClelland Gallery+Sculpture Park, Langwarrin, Victoria
2007 ‘Journeys with My Dead Father’, The Museum of Unnatural History, Apartment, Melbourne, Victoria
‘Soul of the Dragon’, Process-Journey, Red Gate Gallery, Dongbianmen Watchtower, Beijing, China
‘Tongue Diagnosis’, (New Version), Process-Journey, Australian Embassy, Beijing, China
2005 ‘Tranquillity’, M.Y. Art Prospects, New York, U.S.A.
‘Tranquillity’, Arc One Gallery, Melbourne, Victoria.
‘Tranquillity’, Level 2 Contemporary Projects Space, Art Gallery of New South Wales, Sydney, N.S.W.
2004 ‘Transfusion’, The Artist’s Surgery: A Constructed Reality, ARC One Gallery, Melbourne, Victoria
2003 ‘Beijing TV Dentist’, Gauze, 31 Grand, Brooklyn, New York, U.S.A.
‘Transfusion’, Traces of the Flood, Paved Arts + New Media, Saskatoon, Canada
‘Beijing TV Dentist’, The Artist Abroad, Australian Centre for Photography, Sydney, NSW
2002-03 ‘Shadows of the Sun’, ‘Flaming Sun’, ‘The White Pavilion’ and ‘The Pearl Pavilion’, Meridian: Focus on Contemporary Australian Art, Museum of Contemporary Art, Sydney, NSW
2002 ‘The Pearl Pavilion’ and ‘Tongue Diagnosis’, ATM: Intersections of Technology, Art and Life, Glen Eira City Council Gallery, Caulfield, Victoria
2000 ‘Virtue’, M.Y. Art Prospects, New York, U.S.A.
‘Heel of Achilles’, M.Y. Art Prospects, New York, U.S.A.
‘Heel of Achilles’, La Photographie de Farrell & Parkin, Centre d’Exposition de Val-d’Or, Val-d’Or, Quebec, Canada


ARTIST IN RESIDENCE

2006 Red Gate Gallery International Residency Program, Bei Gao, Beijing, China
2000 Inaugural Artists, Red Gate Gallery, International Residency Program, Beijing Art Academy, Beijing, China
1998 Artists in Residence Program Review 1993-1997, Education Services Residency, National Gallery of Victoria, Melbourne, Victoria
1992-93 Fellowship Residency, International Studio Program, P.S.1 The Institute for Contemporary Art, New York, U.S.A.
1992 National Gallery of Victoria, Melbourne, Victoria
1990 Griffith Artworks, Griffith University, Brisbane, Queensland
1989 Polaroid Corporation, Polaroid 20 x 24 Studio, New York, U.S.A.


AWARDS

2008 Acquisition Award, 2008 National Works on Paper, Mornington Peninsula Regional Gallery, Mornington, Victoria
2007 Winners, Non-Acquisitive Prize, Fremantle Print Award ‘07, Fremantle Arts Centre, Fremantle, Western Australia
2005 Winners, 2005 Josephine Ulrick & Win Schubert Photography Award, Gold Coast City Art Gallery, Surfers Paradise, Queensland
2003 Special Mention, The Australian Photographic Portrait Prize 2003, Art Gallery of
N.S.W., Sydney, N.S.W.
1999 Winners, Deacons Graham and James / Arts 21 Award 1999, Melbourne, Victoria
1996 1996 Melbourne International Festival commission, Melbourne, Victoria
1994 Gold Medallion, The 54th International Photographic Salon of Japan, The Asahi Shimbun, Tokyo, Japan
1992 Gold Medallion, The 52nd International Photographic Salon of Japan, The Asahi Shimbun, Tokyo, Japan


RADIO/TELEVISION

2008 ‘The Death of Polaroid’, Sunday Arts, produced by Fenella Kernebone, ABC TV, Australia, June
1, 2008.
2006 Sunday Arts, [documentary], produced by Gerri Williams, ABC TV, Australia, June 18, 2006.
2004 The Maker: Rose and George, ABC Radio National, Sunday Morning, Julie Copeland, February
18 & 10, 2004.
2000 Visual Arts Review: The Liminal Body, ABC Radio National, Arts today, Bruce James, October
5, 2000.
1996 ‘Lens Alchemy’, Nell Schofield, [review], produced by Larry Meltzer, ABC TV, Australia, Mon
day April 8 and Sunday, April 14, 1996.


BIBLIOGRAPHY

2009 DLAP 2009, City of Darebin La Trobe Art Prize, (catalogue), Bundoora Homestead Art Centre,
Melbourne, Victoria.
2008 À la croisée de l’art et de la médecine. L’absolu de l’art face à l’autorité, de la Médicine, J
ean-Émile Verdier, Vie des Arts, No 213, Winter, 2008-2009.
À la croisée de l’art et de la médecine/At the Crossroads of Art and
Medicine, [room brochure], Vicky Chainey Gagnon & France Mainville, Foreman
Art Gallery, Bishop’s University, and Galerie d’art du Centre culturel de l’Université
de Sherbrooke, Sherbrooke, Quebec, Canada.
Rose Farrell & George Parkin: home (operating) theatre, Dylan Rainforth, Artlink,
Vol 28 no 3. September, 2008.
Restoration, [catalogue], Urszula Szulakowska, Arc One Gallery, Melbourne, Victoria.
From Mao to Now, [catalogue], Catherine Croll, Newington Armory Gallery, Syd
ney, N.S.W.
Restoration, [catalogue], David O’Halloran, Boutwell Draper Gallery, Sydney, N.S.W.
Who Let the Dogs Out: The Dog in Contemporary Australian Art, [catalogue], Merryn
Gates, Lake Macquarie City Art Gallery, Booragul, NSW.
Theatrically so Extreme it’s Believable, Robert Nelson, The Age, Melbourne, Victoria, Janu
ary 30, 2008.
2007 Farside of the Moon, [catalogue], Robert Lindsay, McClelland Gallery+Sculpture
Park, Langwarrin, Victoria.
Process-Journey, [catalogue], Tony Scott and Paula Payne, Red Gate Gallery, Beijing,
China.
Photography: Art Gallery of New South Wales Collection, [book], Judy Annear, Art
Gallery of New South Wales, Sydney, N.S.W.
Fremantle Print Awards, Judith McGrath, Artlink, Vol. 27, no 4.
Role Play: Portrait Photography, [catalogue], National Gallery of Victoria, Melbourne, Victo
ria.
Fremantle Print Award 07, [catalogue], Fremantle Arts Centre, Fremantle, Western
Australia.
2007 William and Winifred Bowness Photography Prize, [room brochure], Monash Gallery of Art,
Wheelers Hill, Victoria.
Eye to “i” - the self in recent art, [catalogue], Geoffrey J. Wallis, Ballarat Regional Art
Gallery, Ballarat, Victoria.
Glimpse: Inside Gold Coast City Art Gallery’s Collection, [book], Gold Coast City
Art Gallery, Surfers Paradise, Queensland.
2007 Albury National Photography Prize, [catalogue], Albury Regional Art Gallery, Albury, N.S.W.
MCA Collection: New Acquisitions 2007, [catalogue], Museum of Contemporary
Art, Sydney, N.S.W.
Familiar yet new, by George, Robert McFarlane, Sydney Morning Herald, Sydney,
N.S.W., April 3, 2007.
Out of Time: Essays Between Photography & Art, Blair French, The Contemporary
Art Centre of South Australia Inc., Parkside, South Australia.
Chinese Contemporary Art Document 2006, published by Hunan fine Arts Publishing
House, Beijing, China.
2006 Tidal.06, [catalogue], Devonport City Gallery, Devonport, Tasmania.
The New McCulloch’s Encyclopedia of Australian Art, Alan McCulloch, Susan McCulloch and
Emily McCulloch Childs,
Aus Art Editions, The Miegunyah Press, Melbourne, Victoria.
The Camera Creates a Stage, Anne Kirker, [catalogue], Queensland Centre for Photogra
phy, Brisbane, Queensland.
Pain of a Year, and Years Ago, Robert McFarlane, The Sydney Morning Herald, Sydney,
N.S.W., May 16, 2006.
Tranquillity, Hisa Yamamoto, NY Arts Magazine, New York, U.S.A., vol. 11 No. 3/4. March
2006.
Master Printmaker takes New Direction, Alan Sisley, Central Western Daily, Orange, N.S.W.,
February 18, 2006.
Focusing the Shutters on Art, Alan Sisley, Central Western Daily, Orange, N.S.W., February 3,
2006.
Life in Pictures Worth a Thousand Words, Sandy Pottinger, The Chronicle, Toowoomba,
Queensland. January 7, 2006.
Paper Moon, Briony Downes, Art & Australia, Vol. 43, No.3, Autumn, 2006.
2006 Fundraising Auction, [catalogue], Monash Gallery of Art, Wheelers Hill, Melbourne, Victoria.
2005 Intricate Tableaux of Life on the Street, Robert McFarlane, The Sydney Morning Herald, Syd
ney, N.S.W., November 30, 2005.
Points of View: Australian Photography 1985-95, [catalogue], Art Gallery of New South Wales,
Sydney, N.S.W.
Farrell and Parkin’s Grand Illusion, Robert Nelson, The Age, Melbourne, Victoria, November 16,
2005.
Beyond Real PART 2: Making a Scene, [brochure], Australian Centre for Photography, Padding
ton, N.S.W.
Random Acts, [catalogue], ARC One Gallery, Melbourne, Victoria.
Paper Moon, [catalogue], published by Devonport Regional Gallery, Devonport, Tas
mania.
ART, Time Out New York, New York, U.S.A, October 20-26 & Oct 27-2 Nov, 2005.
ACP Spring Program 2005, [brochure], Australian Centre for Photography, Sydney, N.S.W.
Brisbane Arts Guide, [cover], published by 3E Innovative Pty Ltd, Brisbane,
Queensland, June-August, 2005.
Portraits of the Artist, Meanjin, Double Issue, Volume 64, Numbers 1-2, 2005, published by Mean
jin Company Ltd, Melbourne, Victoria.
Somewhere in a Gallery Far, Far Away..., Peter Hill, The Age, Melbourne, Victoria, June 8, 2005.
Critic’s Picks, Tracey Clement, Metro, Sydney Morning Herald, Sydney, N.S.W., May 27 June 2,
2005.
BIAC, [book], published by Beijing International Art Camp, Beijing, China.
Farrell and Parkin’s Random Win, Megan Backhouse, The Age, Melbourne, Victoria, May 18,
2005.
Winner Selection a Challenge, Gold Coast Bulletin, Surfers Paradise, Queensland, May 14, 2005.
The Week’s Best: Exhibitions, Metro, Sydney Morning Herald, Sydney, N.S.W., May 13-19, 2005.
Snapshot of Photo Talents, Gold Coast Sun, Surfers Paradise, Queensland, May 11, 2005.
Magical Pictures, Rosemary Sorensen, The Courier Mail, Brisbane, Queensland, May 11, 2005.
Photo Prize Entries on Show at Gallery, Gold Coast Sun, Surfers Paradise, Queensland, May 11,
2005.
2005 Josephine Ulrick & Win Schubert Photography Award, [catalogue], Gold Coast City Art
Gallery, Surfers Paradise, Queensland.
Tranquillity, [catalogue], published by the Art Gallery of New South Wales, Sydney, N.S.W.
Judges Swamped, Gold Coast Bulletin, Surfers Paradise, Queensland, May 1, 2005.
Record Entries for Photography Award, Life Gold Coast, Surfers Paradise,
Queensland, Issue 79, April 21, 2005.
2005 Fundraising Auction, [catalogue], Monash Gallery of Art, Wheelers Hill, Melbourne, Victoria.
Autumn: Monash Gallery of Art Newsletter, Monash Gallery of Art, Wheelers Hill, Melbourne,
Victoria, Edition No. 19, 2005.
Modern Art: A Critical Introduction, [second edition] Pam Meecham & Julie Sheldon, Routledge,
England.
2004 Heavenly Creatures, [catalogue], published by Heide Museum of Modern Art, Bulleen, Mel
bourne, Victoria.
20+4: Index 1980-2004, [index], published by Dazibao, Montréal, Canada, 2004.
Melbourne Art Fair 04, [catalogue], published by Melbourne Art Fair Foundation Ltd, Melbourne,
Victoria, August 2004.
Science Fictions, [catalogue], published by LASALLE-SIA College of the Arts, Singapore.
Artist’s Profile: Rose Farrell and George Parkin, Jackie Dunn, Artbank, Australia, [newsletter] Is
sue 8, 2004.
Proof, [catalogue], ARC One Gallery, Melbourne, Victoria.
Photographica Australis, [Asia Tour catalogue Chinese edition], Alasdair Foster, published by
the Taipei Fine Arts Museum, Taipei, Taiwan, R.O.C.
New Images from talented Australian photographers, The China Post, Taipei, Taiwan, R.O.C.
February, 2004.
Photographica Australis, [exhibition poster], Alasdair Foster, published by the Taipei Fine Arts
Museum, Taipei, Taiwan, R.O.C.
Arena Magazine, [cover], Arena Publications, Melbourne, Victoria, Issue no. 69, February - March
2004.
“50 Most Collectable Artists in Australia 2004”, Australian Art Collector, Issue 27, January-
March, 2004.
The Artist’s Surgery: A Constructed Reality, [catalogue], ARC One Gallery, Melbourne, Victoria.
2003 Stellar, CCP Fundraising Auction, [catalogue], Centre for Contemporary Photography,
Melbourne, Victoria.
11th Asian Art Biennale Bangladesh 2003, [catalogue], Bangladesh Shilpakala Academy, Dhaka,
Bangladesh.
Photographica Australis, Metro Magazine, Bangkok, Thailand, July 2003.
The 3rd Prospect Portrait Prize 2003, [catalogue], Prospect Gallery, Prospect, South Australia.
The Affordable Art Fair, [catalogue], New York, U.S.A.
See here now: Vizard Foundation Art Collection of the 1990s, [book], published by
Thames & Hudson in association with
the Ian Potter Museum of Art and the Vizard Foundation, Melbourne, Victoria.
Photographica Australis, [Asia Tour catalogue], Alasdair Foster, published by the Australian
Centre for Photography, Sydney and The Asialink Centre, The University of Melbourne, Mel
bourne, Victoria.
Stills of distinction, Peter Hill, Sydney Morning Herald, Sydney, N.S.W., April 18, 2003.
The camera always lies, Robert Nelson, The Age, Melbourne, Victoria, April 12, 2003.
Village life, but not as all would recognize it, Robert McFarlane, Sydney Morning Herald, Sydney,
N.S.W., April 7, 2003.
2002 High noon at the MCA, Christopher Chapman, Broadsheet, vol., 32 #1.
The Sydney Festival begins early at the Museum of Contemporary Art,
Sydney Morning Herald, Metro, Sydney, N.S.W., November 24, 2002.
On the anticipation of travel and its reality, by Merryn Gates, published in, Meridian: Fo
cus on contemporary Australian art, [catalogue], Rachel Kent, Russell Storer & Vivienne
Webb, Museum of Contemporary Art, Sydney, N.S.W.
ACP Summer Program, [brochure], Australian Centre for Photography, Sydney, N.S.W.
Circle work, Peter Hill, The Sydney Morning Herald, Metro, Sydney, N.S.W., December
20-26, 2002.
Mid-career showcase has wonder aplenty - now for more innovation, Anne Loxley, The
Sydney Morning Herald, Sydney, N.S.W., December 18, 2002.
2nd Sight: Australian Photography in the National Gallery of Victoria, Dr Isobel Crombie
& Susan van Wyk, [book], Published by the National Gallery of Victoria, Melbourne, Victoria.
Eye opener, Melissa Starker, [book review], www.columbusalive.com/2002/20020801/
080102/08010209.html
10209. html>
Teamwork, EXIT #7, Madrid, Spain, August, 2002.
Other Views, Timothy Morrell, [catalogue], published by Griffith University, Nathan,
Brisbane, Queensland.
BLINK, edited by Antonia Carver, [book], published by Phaidon, London, England.
Photographica Australis, Paco Barragán, Lapiz 179/180, Madrid, Spain.
2002 City of Hobart Art Prize, [catalogue], published by the Hobart City Council, Hobart, Tasmania.
Photographica Australis, Diorama 216, Madrid, Spain, March, 2002.
Retrato de Familia, Victor Zarza, ABC Cultural, Madrid, Spain, February 9, 2002.
El arte que viene/the art to come, [book], Paco Barragán, Madrid, Spain.
Photographica Australis, Alasdair Foster, [catalogue], published by the Australian Centre for Pho
tography, Sydney, N.S.W.
2001 Gallery photos on tour across state, Trevor Smith, The Wimmera Mail-Times, Horsham,
Victoria, December 12, 2001.
Phiction: lies, illusion and the phantasm in photography, [catalogue], James Mc Ardle,
foreword by Merle Hathaway, Horsham Regional Art Gallery, Horsham, Victoria,
Australia.
Phiction: Stories - Truth or Fiction?, [opuscule], James Mc Ardle, Horsham Regional Art
Gallery, Horsham, Victoria, Australia.
The Alice Prize 2001, [catalogue], Alice Springs art Foundation Inc., Alice Springs, N.T.,
Australia.
The Hutchins Art Prize 2001, [catalogue], The Long Gallery, Salamanca Place, Hobart,
Tasmania.
Golden Remedies, Artnotes Asia, Tom Parker, Art Monthly, Number 144, October 2001.
26th Annual Shell Fremantle Print Award, [catalogue], Fremantle Arts Centre, Fremantle, W.A.
Australia.
Notes on the Disappearance of the Physical World, Patrick Pardo, NY Arts magazine,
New York, U.S.A., vol. 6, No. 7/8 July/August, 2001
Artbank: Australian Art in Public Spaces, Dinah Dysart & Jackie Dunn, published by
Artbank, Sydney, N.S.W.
Farrell et Parkin: Traces of the Flood, [opuscule], Marie-France Beaudoin,
English translation by Janet Logan, published by the Centre d’exposition de Val-d’Or,
Val-d’Or, Quebec, Canada, March, 2001.
2000 Modern Art: A Critical Introduction, Pam Meecham & Julie Sheldon, Routledge Publishing, [first
edition], England.
Mirror of our vanity, Alex Gawronski, Broadsheet, vol. 29, #4, December-February, 2001.
The Liminal what?, Courtney Kidd, Australian Art Monthly, [Art notes], Number 135,
November, 2000.
Cue Art, Edith Newhall, [listing], New York, [magazine], New York, U.S.A., October 30
and November 6, 2000.
Voice Choices, Vince Aletti, The Village Voice, New York, U.S.A., October 18, 2000 and
November 1, 2000.
Arts & Leisure Guide, [listing], New York Times, New York, U.S.A., October 15, 2000.
Hub recommends: Liminal Bodies, Jason Blake, The City Hub, Sydney, N.S.W., October
5, 2000.
The Liminal Body, [catalogue], Alasdair Foster, Australian Centre for Photography, Syd
ney, N.S.W., October, 2000.
Pictures of Health, Sarah Hurst, Beijing Journal, Beijing, China, Vol. 13. No. 10, October,
2000.
Death dysfunction and the Olympic ideal, [brochure], Australian Centre for Photogra
phy, Sydney, N.S.W.
So far from the body beautiful, Robert McFarlane, The Sydney Morning Herald, Syd
ney, N.S.W., September 22, 2000.
ACP Spring Program 2000, [brochure], Australian Centre for Photography, Sydney,
N.S.W.
Farrell et Parkin: beaucoup plus que des photographes, François Belisle, L’Écho, Vald’Or,
Quebec, Canada, August 9, 2000.
Photographers take up new residency offered in Beijing, Nicole Combs, Art Monthly
Australia, #132, August, 2000.
Le Centre d’exposition de Val-d’Or présente une première mondiale, Doris Blackburn,
Le Citoyen, Val-d’Or, Quebec, Canada, July 23, 2000.
Down under, Francisco Barragán, Lápiz, Número 164, Spain, June, 2000.
Le Centre d’exposition de Val-d’Or prépare deux grands événements estivaux, Renée
Labonne, L’Écho, Val-d’Or, Quebec, Canada, May 17, 2000.
1999 Biennial stirs signs of life, Robert Nelson, The Age, Melbourne, Victoria, December 29, 1999.
The New York Photography Fair, catalogue, Caroline Kerrigan, New York, U.S.A., October, 1999.
We Are Australian, [catalogue], Geoff La Gerche, We Are Australian Art Inc. and The
Melbourne International Festival, Melbourne, Victoria, October, 1999.
Mirrors and windows, Clare Williamson, Art Monthly Australia, #124, October, 1999.
Mapp of the human art, Sebastian Smee, The Sydney Morning Herald, Sydney, N.S.W.,
August 27, 1999.
World of medicine through a lens, Sue Green, South China Morning Post, Hong Kong,
August 26, 1999.
One hand makes light work, Robert Rooney, The Australian, August 6, 1999.
Cloth caps full of meaning, Robert McFarlane, The Sydney Morning Herald, Sydney,
N.S.W., July 14, 1999.
So where’s the ambition and commitment?, Peter Timms, The Age,
Melbourne, Victoria, July 14, 1999.
Fractured frames, Alison Barclay, Herald Sun, Melbourne, Victoria, July 13, 1999.
Art prizes move beyond the ‘predictable’, Ashley Crawford, The Age, Melbourne, Victoria, July 9,
1999.
Deacons Graham and James / Arts 21 Award, [catalogue], Rachel Kent, The Ian Potter
Museum of Art, The University of Melbourne, Melbourne, Victoria, July 1999.
Strange Fascinations, Stewart Dawes, Sydney Scope, [magazine], Sydney, N.S.W., vol.1 - no.2,
July, 1999.
1998 Mapp of the Human Heart, Sebastian Smee, The Sydney Morning Herald, Sydney, N.S.W.,
October 20, 1998.
Pulleys, Dislocations and Counterweights, [catalogue], Texts Ars Est Celare Artem: True
Art is to Conceal Art, by Paul Mellor & Tableaux Vivants, by Catherine Grout, self pub
lished Melbourne, Victoria, October, 1998.
North West Arts Board Annual Review 1997-98, [Annual Report], Published by North
West Arts Board, Manchester, England.
Viewpoints: Visual Arts Case Studies, edited by Anne Bamford, Rigby Heinemann,
March, 1998.
Photographie & immatérailité, Céline Mayrand, Parachute, #89, Montréal, Canada,
January - March, 1998.
1997 Night Sea Crossing, Isabel Cockayne, Arts, Metropolis, Liverpool, England, October, 1997.
Bound to Please, Bridget Hayden, The Big Issue in the North, England, October, 1997.
Photographie & Immatérialité, Mix, Montréal, Canada, Fall, 1997.
Le futur en images, Stéphane Aquin, Arts visuels, Montreal, Canada, 1997.
Manipulateurs d’images au Marché Bonsecours, Mario Fontaine, La Presse, Montreal,
Canada, September 21, 1997.
Upstaging Weekend Weirdos, Robert Clark, The Guardian, England, September 17,
1997.
Open Eye Photographic & Media Arts, September 1997 - January 1998, [exhibition
programme], Open Eye Gallery, Liverpool, England.
Night Sea Crossing, Exhibitions, The Guide, The Guardian, England, September 13 -19, 1997.
Controversy at the Open Eye Gallery, Arts on Merseyside, In Touch, Liverpool, England,
September 1997.
épistolaire, Spirale [magazine], #156, Montréal, Canada, illustrations accompanying an
article by Jean Coutin, “Diderot et les paradoxes épistolaires”, pages 16 & 17, Septem
ber-October, 1997.
Photos offer more than what you see, Dorota Kozinska, The Gazette, Montréal, Canada,
September 7, 1997.
Pour en finir avec la matière, Bernard Lamarche, Le Devoir, Montréal, Canada, September 7, 1997.
Some Medical Nightmares are put in the Picture, Phil Keys, Daily Post, Liverpool, Eng
land, September 2, 1997.
Photographie & Immatérialité, Marie-Josée Jean & Marcel Blouin, [Le Mois de la Photo
à Montréal catalogue], published by Vox Populi, Montréal, Canada, September, 1997.
Cinquième édition, Le Mois de la Photo à Montréal, September 1997, [festival pro
gramme], published by Vox Populi, Montréal, Canada.
Des Photos Partout!, Bernard Lamarche, Le Devoir, Montréal, Canada, August 23, 1997.
Le Devoir Images, Le Mois de la Photo à Montréal, Le Devoir, Montréal, Canada, August 19,
1997.
Art Into Focus, Robert McFarlane, Australian Art Collector Magazine, Issue #1, July - September,
1997.
Dérision et Raison, Patrice Dartevelle, Espace (?), Belgium, July, 1997.
Post-Mortem: Farrell & Parkin, Robert Nelson, Artlink, Volume 17 #02, June 1997.
Dérision et raison, Jean-Luc Pons, Entretien avec Georges Vercheval, Photographie
Magazine, Belgium, June, 1997.
Le rire et le pire, Guy Gilsoul, Le VIFlL’Express, Belgium, May 16, 1997.
Dérision et Raison, El sol de Belgice, Belgium, May, 1997.
Un musee, 60,000 photos pour ses dix ans, Hebdo AZ , Belgium, May 12, 1997.
Photographie Ouverte, [brochure #103], Georges Vercheval, May, June, July, published
by the Musée de la Photographie à Charleroi, Charleroi, Belgium, 1997.
Dérision & raison, Le CPH, Belgium, May, 1997.
Dérision & raison: L’artiste fait de la résistance, Genevieve Kinet, La Semaine d’Anvers,
Belgium, May 9, 1997.
La photographie et le monde, Alain Delaunois, Tendances, Belgium, May 8, 1997.
10 ans de photographie pour une fin de siècle, Entretien avec Georges Vercheval, ddo
27, Belgium, 1997.
Provoc’ Auto Portraits, Montages et Cetera, Dérision & raison, Musée de la Photogra
phie Dixieme Anniversaire Spécial, [broadsheet publication], Charleroi, Belgium, May-
Sept, 1997.
Dérision & raison, Wallonie Bruxelles, Belgium, April-May, 1997.
The Garden of Arcane Delights: Rose Farrell and George Parkin, Russell Storer, Thar
unka, Volume 43, Issue 6 May 20,
1997 & http://129.94.76.189/Tharunka97-1/garden.html
unka97-1/garden.html> .
Dérision n’est pas déraison, Nouvelle Gazette, Belgium, April 28, 1997.
Ad absurdum, N. Degand, Le Journal du Médecin, Belgium, 1997.
Dérision & raison, Dix ans d’images et de Passion!, Corolo service, #489, Charleroi, Belgium,
April 27-31, 1997.
Dérision et Raison, Pierre-Olivier Rollin, Culture Passe, Belgium, April, 1997.
Dérision & raison, Marcel Blouin, CV Photo magazine, Montréal, Canada.
Dérision et raison, un exposition ébouriffante, Jean-Marc Bodson, La Libre Belgique,
Belgium, April 26-27, 1997.
Dérision et Raison, un exposition ébouriffante, Jean-Marc Bodson, Culture, Belgium,
April 26-27, 1997.
Charleroi: Dérision & raison, pour les dix ans du musée de la photographie, Nelly Brousmiche,
Rendez-Vous, Belgium,
April 26-27, 1997.
Die Konstruktion des Raumes, [catalogue], Inka Schube, April 1996 - April 1997, published
by Galerie in der Brotfabrik, Berlin, Germany.
Zoom sur un Anniversaire, Jean-Marie Wynants, Le Soir, Belgium, April 23, 1997.
Le dixiéme anniversaire do Musée du Charleroi, La Libre Belgique, Belgium, April 3, 1997.
Dérision et Raison, [catalogue], Georges Vercheval, Musée de la Photographie à
Charleroi, Charleroi, Belgium.
La Photographie en Folle du Logis, Jean-Marc Bodson, Art and Culture #6, Belgium,
April, 1997.
The Vizard Foundation Art Collection, [catalogue], Chris McAuliff, published by The
University of Melbourne Museum of Art, Melbourne, Victoria, March 1997.
Moët & Chandon Art Acquisitions 1986-1996, Moët & Chandon Australian Art Foundation, 1997.
Poets of Human Frailty, Robert McFarlane, The Sydney Morning Herald, Sydney,
N.S.W., February 5, 1997.
Out of Bounds, Sebastian Smee, The Sydney Morning Herald Metro, Sydney, N.S.W.,
January 31-February 6, 1997.
1996 Images as Art, Robert Nelson, The Age, Saturday Extra, Melbourne, Victoria, November
2, 1996.
1996 Gold Coast City Conrad Jupiters Art Prize, John Walsh, [catalogue], Gold Coast
City Art Gallery, Surfers Paradise, Queensland.
Morose Anthropology in the Vaults, Robert Nelson, The Age, Metro, Melbourne, Victoria,
October 23, 1996.
Physical Pictures, Anne Marsh, Herald Sun, Arts & entertainment, Melbourne, Victoria,
October 23, 1996.
The Festival Begins, Raymond Gill, The Age, AM edition, Melbourne, Victoria, October
18, 1996.
The Age Guide to the Melbourne Festival, edited by Raymond Gill, The Age, Metro
Arts, October 18, 21, 22, 23, 25, 28, 29, 30, 31, and November 1, 1996, The Age, Amuse
ments, October 24, 1966, The Age, Saturday Extra, October 19, 26, and 2, 1966, and The Sunday
Age, Agenda, Melbourne, Victoria, October 20, 1996.
Visual Arts, Robert Nelson, Melbourne Festival 1996, Festival Headliners, The Age,
Metro Arts, Melbourne, Victoria, October 18, 1996.
Visual Arts: OCT 17-NOV 2 96, [brochure], Melbourne International Festival, Melbourne, Victoria,
October 17, 1996.
Wounded Seductions, Adrian Montana, RealTime, #15, October - November, 1996.
Speedy Program Guide, Melbourne Festival, Melbourne International Festival, Mel bourne, Victo
ria, October 12, 1996.
Photographers of the Psyche, Rebecca Lancashire, Arts Extra, The Age, Melbourne,
Victoria, September 7, 1996.
Re collection The Griffith University Art Collection - 25 Years, [catalogue], Beth Jack
son, Brisbane City Gallery, published by Griffith University, Brisbane, Queensland.
Pictures of Banality, John McDonald, The Sydney Morning Herald, Sydney, N.S.W., Au
gust 31, 1996.
Photography is Dead! Long Live Photography!, [catalogue], Linda Michael, Museum of
Contemporary Art, Sydney, N.S.W.
Photography is Dead! Long Live Photography!, [brochure], Nicholas Baume & Ben
Curnow, Museum of Contemporary Art, Sydney, N.S.W.
Eye for the Big Picture, Sally Fisher, Herald Sun, Arts & entertainment, Melbourne, Vic
toria, July 13, 1996.
Melbourne Festival, Peter Jordaan, [festival guide], Melbourne International Festival,
Melbourne, Victoria, July 13, 1996.
Historie statt Latex und Leder, Brigitte Werneburg, Taz Berlin, Berlin, Germany, June
1-2, 1996.
Ficções delirantes em Braga, Hoje, Público, Portugal, Local Porto, June 2, 1996.
Fotofeis is for you!, Barb Smith, Art Monthly, Number 90, June, 1996.
Farrell & Parkin: Black Room, Rui Tavares, JA, Portugal, May 30, 1996.
Fotografia Imafens Familiares, Margardia Medeiros, Público, Pública, Portugal, May 26, 1996.
Ficções e Narrativas Fotográficas, Margardia Medeiros, Público, ZAP, Portugal, May 10,
1996.
A fotografia que não quer ser objectiva, Margardia Medeiros, Público, Portugal, May 8, 1996.
Exposições em Braga, Joáo Faria, A Capital, Portugal, May 4,1996.
Exposiçõe: Encontros de Imagem em Braga, Margardia Medeiros, Público, ZAP, Portugal, May 3,
1996.
Die Indische Antwort, Katrin Bettina Müller, Tip Berlin Magazine, Berlin, Germany, Nr.
10/96, May 2-15, 1996.
Brotfabrik Kunst & Kulturzentrum, [programme], Berlin, Germany, Mai 1996.
Encontros Da Imagem 10 Anos Maio • 1996, [festival programme], André Rouillé, published by
Associação Cultural de Fotografia e Cinema de Braga, Portugal.
Roda Gigante • Minho Fotográfico, Oscar Faria, O Mundo Africano, Portugal, April 26, 1996.
A Imagem em Braga, Ana Soromenho, Expresso, Portugal, April 20, 1996.
Minho Fotográfico, Oscar Faria, Público, Portugal, April 14, 1996.
Encontros da Imagem saem de Braga, Jorge Oliveira, Diário do Minho, Portugal, April 13, 1996.
Encontros Da Imagem 10 Anos, [festival catalogue], André Rouillé, published by Associação
Cultural de Fotografia e Cinema de Braga, Portugal.
Aesthetic Sandwich Satiates Appetite, Robert McFarlane, The Sydney Morning Herald,
Sydney, N.S.W., April 8, 1996.
Photography, Pat and Richard Larter, Joanna Mendelssohn, The Australian, March 29,
1996.
The Body Fragile, Sebastian Smee, The Sydney Morning Herald Metro, Sydney, N.S.W.,
March 22-28, 1996.
The Power to Move: Aspects of Australian Photography, [catalogue], Anne Kirker &
Clare Williamson, Queensland Art Gallery, Brisbane, Queensland.
Perspectives on Australian Art, Anne Mancini, published by Longman Australia Pty Ltd.
Voice Choice, Kim Levin, The Village Voice, New York, USA, January 16, 1996, January
9, 1996, January 2, 1996, December 19, 1995, December 12, 1995 and December 5, 1995.
ART, New York magazine, New York, USA, January 8, 1996, December 25, 1995 - January 1,
1996, December 18, 1995
and December 11, 1995.
1995 Fotofeis: Schottland Ruft!, Inka Schube, Photonews, Berlin, Germany, Nr. 12/1, Dec
1995 - Jan 1996.
Art Galleries, New York Listings, Kim Levin, New York, U,S.A., Vol. 2, #1, Dec 29, 1995
Jan 1996.
Torture in Focus, Anne Marsh, Herald Sun, Melbourne, Victoria, 14th December, 1995.
Fotofeis ‘95 Festival Guide, Ken Gill, Jackie Shearer & Alasdair Foster [Editors], Complete List
ings Exhibitions and Events across Scotland, published by Fotofeis Ltd, Edinburgh, Scotland.
Fotofeis ‘95, [festival catalogue], Alasdair Foster, published by Fotofeis Ltd, Edinburgh,
Scotland.
Strate’gens, [catalogue], Anne Brennan/Merryn Gates, Canberra School of Art Gallery,
The Australian National University, Canberra, A.C.T.
Feature Exhibitions, Fotofeis Calendar, Scottish Arts Monthly, Scotland, October 1995.
Medicinally Sombre, Freda Freiberg, The Age, Melbourne, Victoria, 3rd October 1995.
Peripheral Vision: Contemporary Australian Art 1970-1994, [book], Charles Green, Crafts
man House.
AGNSW: Collections, edited by Ewen McDonald, published by The Art Gallery of New
South Wales, Sydney, N.S.W.
Arts Diary, Louise Martin-Chew, Australian Style, Issue 14, 1995.
Black Room: Photographs by Farrell and Parkin, Susan van Wyk, Gallery [magazine],
National Gallery Society of Victoria, Melbourne, Victoria, September, 1995.
Intellectual Simulations, Sonia Barron, The Canberra Times, Canberra, A.C.T., 20th September,
1995.
Into the Dark Room, Anne Marsh, Herald Sun, Melbourne, Victoria, 5th September, 1995.
Black Room: Photographs by Farrell and Parkin, [catalogue], Susan van Wyk, National
Gallery of Victoria, Melbourne, Victoria.
Right blend in Paddo, Helen Greenwood, Sydney Morning Herald, Sydney, N.S.W., 25th
July, 1995.
5th International Works on Paper Art Fair, [catalogue], Mitchell Galleries, State Library of
N.S.W., Sydney, N.S.W.
Winter, exhibition programme, National Gallery of Victoria, Melbourne, Victoria, July-
September, 1995.
Dangerous Liaisons, [catalogue], Diana Klaosen, Plimsoll Gallery, University of Tasmania,
Hobart, Tasmania, 1995.
1994 Postmodern Socialism: Romanticism, City & State, Dr Peter Beilharz, [book cover], Mel
bourne University Press publication, ‘Interpretations’ Series, [image, “The Building of
Socialism goes on in all Weather” from Red Squares], Melbourne, Victoria.
Eidetic Experiences: Contemporary Queensland Photography, Anne Kirker, Eyeline, is
sue #25, Spring 1994.
Rose Farrell and George Parkin: Art History and “Primitivism” in Contemporary Austra
lian Performance Photography, Urszula Szulakowska, ‘Electronic Arts in Australia’,
Continuum, Volume 8, No.1, Murdoch University, Murdoch, Perth, Western Australia,
1994.
The Full Spectrum: Colour and Photography in Australia 1860s to 1990s, [catalogue], Iso
bel Crombie, National Gallery of Victoria, Melbourne, Victoria, 27th May - 4th July, 1994.
Eidetic Experiences, catalogue, Graham Coulter-Smith, Noosa Regional Gallery, Tewan
tin, 1994.
Artwork of the Month, [leaflet], Cathy Pemble-Smith, Queensland Art Gallery, Brisbane,
Queensland, May, 1994.
54th International Photographic Salon of Japan, [catalogue], The All-Japan Association
of Photographic Societies and the Asahi Shimbun, Tokyo, Japan, 1994.
A Snapshot of Photography, Greg Neville, The Age, Melbourne, Victoria, January 7th, 1994.
1993 Post west, [catalogue], Linda Marie Walker/Alan Cruickshank/David O’Halloran & Paul
Hewson, Post West Gallery, Adelaide, South Australia, 1993.
Terra Firma 1616, Merryn Gates, Gallery, [magazine cover and article], National Gallery
Society of Victoria, Melbourne, Victoria, December-January, 1993.
Commentaires/Reviews, Kathleen Goggin, Parachute, #71, Montréal, Canada, July
- September, 1993.
Immortality, Tim Mathieson, Agenda, #32, July, 1993.
Court-Circuit, Yvan Moreau, ETC Montréal, #22, Montréal, Canada, 15 May-15 August,
1993.
Drab images fail to speak on male identity, Greg Neville, The Age, Melbourne, Victoria,
April 29th, 1993.
Immortality: A Re-examination of the Hero, [catalogue], Susan Fereday, Centre for
Contemporary Photography, Melbourne, Victoria, 1993.
Les Images Cultivées de Farrell & Parkin, [catalogue], Alain Laframboise, Dazibao, Mon
tréal, Canada, 1993.
National and International Studio Programs 1992-1993, [catalogue], Zdenka Gabalova,
The Institute for Contemporary Art, P.S.1 Museum, New York, U.S.A., 1993.
1992 A Passion for Maladies, catalogue, Merryn Gates, Artspace, Sydney, N.S.W., 1992.
When Friendship Enters the Picture, Robert Rooney, The Australian Weekend Review,
August 1-2, 1992.
Domino 1: Collaborations Between Artists, [catalogue], Merryn Gates, Ian Potter Gal
lery, University of Melbourne, Melbourne, Victoria, 1992.
Celebration of Individuality and Otherness, Greg Neville, The Age, Melbourne, Victoria,
July 21st, 1992.
52nd International Photographic Salon of Japan, [catalogue], The Asahi Shimbun,
Tokyo, Japan, 1992.
Camera Artworks Aren’t Just A Snap, Danielle Blewett, The Launceston Examiner,
Launceston, Tasmania, July 8th, 1992.
Pictures of Pain, Ken Bolton, The Adelaide Advertiser, Adelaide, South Australia, April
1st, 1992.
Images of an Inventive Construction, Greg Neville, The Age, Melbourne, Victoria, Feb
ruary 4th, 1992.
A Constructed Reality: Aspects of Contemporary Photography, [brochure], Susan van
Wyk, National Gallery of Victoria, Melbourne, Victoria, 1992.
1991 Brisbane Report, Stephen Rainbird, Art and Australia, Spring, Volume 29 #1, 1991.
Limitation in Absence of Message, Greg Neville, The Age, Melbourne, Victoria, April
16th, 1991.
National Gallery puts 130 Years of Photography on Bold Display, Greg Neville, The Age,
Melbourne, Victoria, January 25th, 1991.
1990 Worthy Habits and Mantles: The Alchemical Photography of Rose Farrell and George
Parkin, Urszula Szulakowska, Eyeline, issue #13, December, 1990.
When The Camera Isn’t Candid, Peter Ward, The Australian, December 12th, 1990.
Beyond the Image, Joanna Mendelssohn, The Bulletin, November 6th, 1990.
Fragmentation & Fabrication, [catalogue], Julie Robinson, Art Gallery of South Austra
lia, Adelaide, South Australia, 1990.
Images of Life Worlds Apart, Michael Richards, Brisbane Courier Mail, Brisbane, Qld,
November 13th, 1990.
Worthy Habits and Mantles, [catalogue], Urszula Szulakowska, Griffith
University, Brisbane, Queensland, 1990.
Twenty Contemporary Australian Photographers: from the Hallmark Cards (Australian)
Photographic Collection, [catalogue], Sandra Byron & Isobel Crombie, National Gallery
of Victoria, Melbourne, Victoria, 1990.
ACAF2, Second Australian Contemporary Art Fair, [catalogue], Melbourne, Victoria, 21-
24 June, 1990.
Galleries Pool Their Talents, Peter Davis, The Sunday Herald, Melbourne, Victoria, 3rd
June, 1990.
The Melbourne Scene - Part 1, Tony Palmer, Huntley’s Australian Art Investor, Issue
No.12 March, 1990.
1989 Repentance, Kevin Murray, Eyeline Magazine, Issue 9, Winter, 1989.
Meta Portraits, [catalogue], The Blaxland Gallery, Melbourne, Victoria, 8th June - 4th
July, 1989.
What You See is a Lens-Eye View, Michael Snelling, Adelaide Advertiser, Adelaide,
South Australia, June 28th, 1989.
After ‘Now, Alan Cruickshank, European Photography, Volume 10, Issue 2, April-June,
1989.
Photography: Recent Acquisitions, [brochure], Helen Ennis, The Australian National
Gallery, Canberra, A.C.T, 1989.
Repentance, catalogue, Linda Johnson, Horsham Regional Art Gallery, Horsham